Studio Arts Courses—Spring
Check the course schedules/descriptions available via the Registrar's Office for the official schedules for the widest range of terms for which such information is available.
Spring 2025
Number | Title | Instructor | Time |
---|
SART 111-1
Joshua Enck
MW 4:50PM - 7:30PM
|
This course introduces basic drawing techniques and composition through observation, guiding students to develop formal artistic skills and spatial understanding while exploring art as a visual language. Evaluation is based on studio production, participation in critiques, and exploration of both traditional and non-traditional mediums. Relevant readings and short papers are included. Not open to seniors. Studio art lab supply fees apply. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 111-2
Emily Tyman; Megan Mette
MW 2:00PM - 4:40PM
|
This course introduces basic drawing techniques and composition through observation, guiding students to develop formal artistic skills and spatial understanding while exploring art as a visual language. Evaluation is based on studio production, participation in critiques, and exploration of both traditional and non-traditional mediums. Relevant readings and short papers are included. Not open to seniors. Studio art lab supply fees apply. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources
|
SART 114-1
Joshua Enck
MW 2:00PM - 4:40PM
|
Buildings are enduring cultural artifacts that embody both artistic expression and technological limitations, influencing societies beyond their creators. This studio art course explores the design, creation, and study of architecture through lectures, exercises, and thematic assignments by while developing skills in architectural design and understanding the built environment. Coursework culminates in a fully realized building design. This course is open to all majors, and prior architecture study is not required. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 121-1
Aster Topolski; Megan Mette
TR 2:00PM - 4:40PM
|
This course introduces students to painting through both traditional and experimental approaches, allowing them to develop both observational skills and explore non-traditional media. Through projects and critiques, students enhance their understanding of historical and contemporary painting trends while creating mature visual works that effectively communicate meaning. Not open to seniors. Studio Art Lab Fee Applied.
|
SART 122-1
Heather Layton
MW 2:00PM - 4:40PM
|
This course is ideal for curious students who want to see what happens when you merge content from the natural sciences with the process of making contemporary art. Students will develop painting skills through technique workshops, share their knowledge about science topics, participate in lively discussions, and exhibit final paintings. Studio art fee applied. Not open to Seniors. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 131-1
Annalisa Barron; Megan Mette
TR 9:40AM - 12:20PM
|
This course explores a variety of materials and techniques, from metal and wood working to experimental methods for creating three-dimensional art. Students investigate how the qualities of these media convey ideas, aiming to develop a synthesis of material choice and concept while building their creative vocabulary. Not open to seniors. Studio Art Lab Fee Applied.
|
SART 141-2
; Megan Mette
TR 2:00PM - 4:40PM
|
This class introduces the basics of photography, focusing on its interpretive and hybrid nature. Students create images using techniques like photograms, collages, and digital processes. Alongside studio projects, students will explore alternative perspectives on the photographic frame and current issues in photography through readings and discussions. Not open to seniors. Studio Art lab fee applied.
|
SART 141-3
Kirby Pilcher
MW 10:25AM - 1:05PM
|
This class introduces the basics of photography, focusing on its interpretive and hybrid nature. Students create images using techniques like photograms, collages, and digital processes. Alongside studio projects, students will explore alternative perspectives on the photographic frame and current issues in photography through readings and discussions. Not open to seniors. Studio Art lab fee applied.
|
SART 151-1
Andrew Salomone; Megan Mette
MW 4:50PM - 7:30PM
|
This course merges contemporary art production with technologies and social interventions. Students will combine historical, inter-media approaches with new, evolving trends in social practice. Students will deploy introductory level techniques to create new works at the intersection of art, design, and technology. Not open to seniors. Studio Art lab fee applied.
|
SART 154-1
Carolyn Gennari; Megan Mette
TR 4:50PM - 7:30PM
|
Since the invention of the Xerox machine, artists have used it to create experimental art, known as photocopy or xerox art, by treating it as both a camera and a printing press. In this course, students will explore this genre by creating imagery through manipulations like reducing, enlarging, and collage, culminating in a midterm fanzine and a self-proposed final artwork. Studio Art lab fee applied. Overlaps with DMST 116. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 161-1
Cary Adams
MW 10:25AM - 1:05PM
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $75. To be added to the rolling waiting list contact Jason Middleton.
|
SART 161-2
Pirooz Kalayeh
TR 4:50PM - 7:30PM
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $75.
|
SART 179-1
Aaron Delehanty
T 11:05AM - 1:45PM
|
This course is an introduction to art exhibition practices including research, curation, planning, art handling, installation, and hands-on experience in galleries. Students will install exhibitions in the teaching galleries and spaces on campus, including (but not limited to) Hartnett Gallery and Frontispace Gallery. Studio Art lab fee applied. *Instructor permission is required for this course. Use the “Request Course Section Prerequisite Override” task found on your academics dashboard under the Planning & Registration section to request this permission.*
|
SART 181-1
Emily Tyman; Megan Mette
MW 10:25AM - 1:05PM
|
The coursework introduces flexible print-based processes. Using a variety of materials to create printing matrices, this course explores concepts such as multiplicity and repetition to develop visual language comprehension. Students will not only explore non-toxic printing processes but also apply them to sustainable art practices. Evaluation is based on the quantity and quality of production as well as the effort made to thoughtfully contribute to critiques and discussions to improve visual problem-solving skills. Not open to Seniors. Studio Art lab supply fees apply.
|
SART 190-1
Carolyn Gennari; Megan Mette
TR 2:00PM - 4:40PM
|
This course offers a broad framework for contemporary art practice, integrating conceptual challenges with a variety of materials and techniques. Projects may use both traditional and nontraditional media. This course emphasizes visual investigation, critique, and an expansive studio practice. Not open to seniors. Studio art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
SART 232A-1
Annalisa Barron; Megan Mette
TR 2:00PM - 4:40PM
|
This class broadens the investigation undertaken in Introduction to Sculpture to include other materials and processes as well as a focus on working in an interdisciplinary fashion. This course furthers the development of the student's three-dimensional form vocabulary and their options for articulating their ideas. Permission of instructor required. Studio Art lab fee applied.
|
SART 232B-1
Annalisa Barron; Megan Mette
TR 2:00PM - 4:40PM
|
This class broadens the investigation undertaken in Introduction to Sculpture to include other materials and processes as well as a focus on working in an interdisciplinary fashion. This course furthers the development of the student's three-dimensional form vocabulary and their options for articulating their ideas. Permission of instructor required. Studio Art lab fee applied
|
SART 232C-1
Annalisa Barron; Megan Mette
TR 2:00PM - 4:40PM
|
This class broadens the investigation undertaken in Introduction to Sculpture to include other materials and processes as well as a focus on working in an interdisciplinary fashion. This course furthers the development of the student's three-dimensional form vocabulary and their options for articulating their ideas. Permission of instructor required. Studio Art lab fee applied.
|
SART 242A-1
Megan Mette
TR 9:40AM - 12:20PM
|
We will examine and interrogate the multiple roles that photography and related media
|
SART 242B-1
Megan Mette
TR 9:40AM - 12:20PM
|
We will examine and interrogate the multiple roles that photography and related media
|
SART 242C-1
Megan Mette
TR 9:40AM - 12:20PM
|
We will examine and interrogate the multiple roles that photography and related media
|
SART 262A-1
Cary Adams
MW 2:00PM - 4:40PM
|
This course uses video and moving images to explore the intersectional roots of the ecological crisis, from pandemics to racial justice and climate disruption. Guided by Félix Guattari's "The Three Ecologies," students will develop Eco-cinematic consciousness through projects involving installation, sound, and networked media, examined within a critical environmental arts framework. Permission of instructor. Studio Art lab fee applied.
|
SART 262B-1
Cary Adams
MW 2:00PM - 4:40PM
|
This course uses video and moving images to explore the intersectional roots of the ecological crisis, from pandemics to racial justice and climate disruption. Guided by Félix Guattari's "The Three Ecologies," students will develop Eco-cinematic consciousness through projects involving installation, sound, and networked media, examined within a critical environmental arts framework. Permission of instructor. Studio Art lab fee applied.
|
SART 262C-1
Cary Adams
MW 2:00PM - 4:40PM
|
This course uses video and moving images to explore the intersectional roots of the ecological crisis, from pandemics to racial justice and climate disruption. Guided by Félix Guattari's "The Three Ecologies," students will develop Eco-cinematic consciousness through projects involving installation, sound, and networked media, examined within a critical environmental arts framework. Permission of instructor. Studio Art lab fee applied.
|
SART 281A-1
Heather Layton
MW 10:25AM - 1:05PM
|
This studio art course invites students to explore contemporary art's potential to engage with societal issues through performance projects and socially engaged initiatives. Throughout the semester, students will draw inspiration from a diverse range of artists while collaboratively addressing themes such as identity, activism, and environmental awareness. No prior experience in performance or socially engaged art required. Permission of instructor required. Studio art lab fee applied.
|
SART 281B-1
Heather Layton
MW 10:25AM - 1:05PM
|
This studio art course invites students to explore contemporary art's potential to engage with societal issues through performance projects and socially engaged initiatives. Throughout the semester, students will draw inspiration from a diverse range of artists while collaboratively addressing themes such as identity, activism, and environmental awareness. No prior experience in performance or socially engaged art required. Permission of instructor required. Studio art lab fee applied.
|
SART 281C-1
Heather Layton
MW 10:25AM - 1:05PM
|
This studio art course invites students to explore contemporary art's potential to engage with societal issues through performance projects and socially engaged initiatives. Throughout the semester, students will draw inspiration from a diverse range of artists while collaboratively addressing themes such as identity, activism, and environmental awareness. No prior experience in performance or socially engaged art required. Permission of instructor required. Studio art lab fee applied.
|
SART 282A-2
Mijin Shin
MW 4:50PM - 7:30PM
|
This course is a study of print-based processes and paper folding as an exploration of three-dimensional form. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional print-based processes are to be infused with sculpture and installation design. Students will learn traditional printing techniques as well as emerging practices such as using paper, vinyl, and laser cutters. The course will consist of demonstrations, discussions, print projects, student presentations, and critiques. Studio Art lab fee applied.
|
SART 282B-2
Mijin Shin
MW 4:50PM - 7:30PM
|
This course is a study of print-based processes and paper folding as an exploration of three-dimensional form. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional print-based processes are to be infused with sculpture and installation design. Students will learn traditional printing techniques as well as emerging practices such as using paper, vinyl, and laser cutters. The course will consist of demonstrations, discussions, print projects, student presentations, and critiques. Studio Art lab fee applied.
|
SART 282C-2
Mijin Shin
MW 4:50PM - 7:30PM
|
This course is a study of print-based processes and paper folding as an exploration of three-dimensional form. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional print-based processes are to be infused with sculpture and installation design. Students will learn traditional printing techniques as well as emerging practices such as using paper, vinyl, and laser cutters. The course will consist of demonstrations, discussions, print projects, student presentations, and critiques. Studio Art lab fee applied.
|
SART 300-1
Evelyne Leblanc-Roberge
7:00PM - 7:00PM
|
The Art New York Field Studio course will utilize the resources of New York City as a starting point for creative production. The course will be conducted primarily online, with face-to-face meetings with the professor spread throughout the semester. Projects will take students outside into the city to make art with a rotating variety of media, including photography, video, sound, and installation, with an emphasis on collaboration. Studio Art lab fee applied.
|
SART 305K-1
Evelyne Leblanc-Roberge
7:00PM - 7:00PM
|
As an integral part of the internship program, all students participating in ANY will meet weekly with the program's resident director. The class will visit museums, art galleries, film & media screenings, & learn from these visits through readings, papers, presentations & discussions. The colloquium will also serve to provide an intellectual framework for understanding the operations of the NY art world & to allow students to discuss with one another their experiences at the various institutions where they intern. Each student will be expected to make a presentation about their internship to the ANY group. There will be an entrepreneurial component which will introduce the students to a wide variety of entrepreneurial activity & innovative practices within arts and culture. Through guest speakers, seminars & field trips the students will learn how entrepreneurial endeavors develop. By the end of the semester, the students will create their own proposal for an entrepreneurial project.
|
SART 390-2
Joshua Enck
7:00PM - 7:00PM
|
Blank Description
|
SART 390-3
Mijin Shin
7:00PM - 7:00PM
|
No description
|
SART 390-4
Heather Layton
7:00PM - 7:00PM
|
No description
|
SART 391-01
Allen Topolski
7:00PM - 7:00PM
|
Individual studio work at an advanced level and under the guidance of a member of the studio arts faculty.
|
SART 391W-01
Allen Topolski
7:00PM - 7:00PM
|
Individual studio work at an advanced level and under the guidance of a member of the studio arts faculty.
|
SART 392A-1
Evelyne Leblanc-Roberge
7:00PM - 7:00PM
|
Each student will intern in an institution arranged or approved by the Art and Art History faculty. The purpose of this internship is to give students an insiders' view of the workings of the art world. Students will be expected to document their internship experiences as a means of evaluation at the end of the semester. This program is limited to second, third, fourth and fifth year undergraduate students interested in learning about all aspects of contemporary art, about how art gets made, how it reaches its public, and the processes of its interpretation. Internships will consist of 20 hours per week, for which students will receive eight credits. Permission of instructor required.
|
SART 397-1
Allen Topolski
TR 2:00PM - 4:40PM
|
This course is designed to support the transition between undergraduate coursework in the arts and independent, professional, and post-graduate pursuits. The course has three essential components: (1) Studio Production and Critique, (2) the Mechanics of the Profession, and (3) Contemporary Artists and Issues as they relate to Visual and Cultural Theory, Art History, and Art Criticism. By the end of the semester, students will have prepared an artist talk on their work through documentation, explanation, reference, and relevance in the context of contemporary art. This class is limited to and required of senior studio majors. Studio art fee applied.
|
SART 399-1
Allen Topolski
TR 2:00PM - 4:40PM
|
Blank Description
|
Spring 2025
Number | Title | Instructor | Time |
---|---|
Monday and Wednesday | |
SART 141-3
Kirby Pilcher
|
|
This class introduces the basics of photography, focusing on its interpretive and hybrid nature. Students create images using techniques like photograms, collages, and digital processes. Alongside studio projects, students will explore alternative perspectives on the photographic frame and current issues in photography through readings and discussions. Not open to seniors. Studio Art lab fee applied. |
|
SART 161-1
Cary Adams
|
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $75. To be added to the rolling waiting list contact Jason Middleton. |
|
SART 181-1
Emily Tyman; Megan Mette
|
|
The coursework introduces flexible print-based processes. Using a variety of materials to create printing matrices, this course explores concepts such as multiplicity and repetition to develop visual language comprehension. Students will not only explore non-toxic printing processes but also apply them to sustainable art practices. Evaluation is based on the quantity and quality of production as well as the effort made to thoughtfully contribute to critiques and discussions to improve visual problem-solving skills. Not open to Seniors. Studio Art lab supply fees apply. |
|
SART 281A-1
Heather Layton
|
|
This studio art course invites students to explore contemporary art's potential to engage with societal issues through performance projects and socially engaged initiatives. Throughout the semester, students will draw inspiration from a diverse range of artists while collaboratively addressing themes such as identity, activism, and environmental awareness. No prior experience in performance or socially engaged art required. Permission of instructor required. Studio art lab fee applied. |
|
SART 281B-1
Heather Layton
|
|
This studio art course invites students to explore contemporary art's potential to engage with societal issues through performance projects and socially engaged initiatives. Throughout the semester, students will draw inspiration from a diverse range of artists while collaboratively addressing themes such as identity, activism, and environmental awareness. No prior experience in performance or socially engaged art required. Permission of instructor required. Studio art lab fee applied. |
|
SART 281C-1
Heather Layton
|
|
This studio art course invites students to explore contemporary art's potential to engage with societal issues through performance projects and socially engaged initiatives. Throughout the semester, students will draw inspiration from a diverse range of artists while collaboratively addressing themes such as identity, activism, and environmental awareness. No prior experience in performance or socially engaged art required. Permission of instructor required. Studio art lab fee applied. |
|
SART 111-2
Emily Tyman; Megan Mette
|
|
This course introduces basic drawing techniques and composition through observation, guiding students to develop formal artistic skills and spatial understanding while exploring art as a visual language. Evaluation is based on studio production, participation in critiques, and exploration of both traditional and non-traditional mediums. Relevant readings and short papers are included. Not open to seniors. Studio art lab supply fees apply. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources |
|
SART 114-1
Joshua Enck
|
|
Buildings are enduring cultural artifacts that embody both artistic expression and technological limitations, influencing societies beyond their creators. This studio art course explores the design, creation, and study of architecture through lectures, exercises, and thematic assignments by while developing skills in architectural design and understanding the built environment. Coursework culminates in a fully realized building design. This course is open to all majors, and prior architecture study is not required. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 122-1
Heather Layton
|
|
This course is ideal for curious students who want to see what happens when you merge content from the natural sciences with the process of making contemporary art. Students will develop painting skills through technique workshops, share their knowledge about science topics, participate in lively discussions, and exhibit final paintings. Studio art fee applied. Not open to Seniors. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 262A-1
Cary Adams
|
|
This course uses video and moving images to explore the intersectional roots of the ecological crisis, from pandemics to racial justice and climate disruption. Guided by Félix Guattari's "The Three Ecologies," students will develop Eco-cinematic consciousness through projects involving installation, sound, and networked media, examined within a critical environmental arts framework. Permission of instructor. Studio Art lab fee applied. |
|
SART 262B-1
Cary Adams
|
|
This course uses video and moving images to explore the intersectional roots of the ecological crisis, from pandemics to racial justice and climate disruption. Guided by Félix Guattari's "The Three Ecologies," students will develop Eco-cinematic consciousness through projects involving installation, sound, and networked media, examined within a critical environmental arts framework. Permission of instructor. Studio Art lab fee applied. |
|
SART 262C-1
Cary Adams
|
|
This course uses video and moving images to explore the intersectional roots of the ecological crisis, from pandemics to racial justice and climate disruption. Guided by Félix Guattari's "The Three Ecologies," students will develop Eco-cinematic consciousness through projects involving installation, sound, and networked media, examined within a critical environmental arts framework. Permission of instructor. Studio Art lab fee applied. |
|
SART 111-1
Joshua Enck
|
|
This course introduces basic drawing techniques and composition through observation, guiding students to develop formal artistic skills and spatial understanding while exploring art as a visual language. Evaluation is based on studio production, participation in critiques, and exploration of both traditional and non-traditional mediums. Relevant readings and short papers are included. Not open to seniors. Studio art lab supply fees apply. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 151-1
Andrew Salomone; Megan Mette
|
|
This course merges contemporary art production with technologies and social interventions. Students will combine historical, inter-media approaches with new, evolving trends in social practice. Students will deploy introductory level techniques to create new works at the intersection of art, design, and technology. Not open to seniors. Studio Art lab fee applied. |
|
SART 282A-2
Mijin Shin
|
|
This course is a study of print-based processes and paper folding as an exploration of three-dimensional form. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional print-based processes are to be infused with sculpture and installation design. Students will learn traditional printing techniques as well as emerging practices such as using paper, vinyl, and laser cutters. The course will consist of demonstrations, discussions, print projects, student presentations, and critiques. Studio Art lab fee applied. |
|
SART 282B-2
Mijin Shin
|
|
This course is a study of print-based processes and paper folding as an exploration of three-dimensional form. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional print-based processes are to be infused with sculpture and installation design. Students will learn traditional printing techniques as well as emerging practices such as using paper, vinyl, and laser cutters. The course will consist of demonstrations, discussions, print projects, student presentations, and critiques. Studio Art lab fee applied. |
|
SART 282C-2
Mijin Shin
|
|
This course is a study of print-based processes and paper folding as an exploration of three-dimensional form. Introductions to design principles and elements are used in the construction of objects from paper. Two-dimensional print-based processes are to be infused with sculpture and installation design. Students will learn traditional printing techniques as well as emerging practices such as using paper, vinyl, and laser cutters. The course will consist of demonstrations, discussions, print projects, student presentations, and critiques. Studio Art lab fee applied. |
|
Tuesday | |
SART 179-1
Aaron Delehanty
|
|
This course is an introduction to art exhibition practices including research, curation, planning, art handling, installation, and hands-on experience in galleries. Students will install exhibitions in the teaching galleries and spaces on campus, including (but not limited to) Hartnett Gallery and Frontispace Gallery. Studio Art lab fee applied. *Instructor permission is required for this course. Use the “Request Course Section Prerequisite Override” task found on your academics dashboard under the Planning & Registration section to request this permission.* |
|
Tuesday and Thursday | |
SART 131-1
Annalisa Barron; Megan Mette
|
|
This course explores a variety of materials and techniques, from metal and wood working to experimental methods for creating three-dimensional art. Students investigate how the qualities of these media convey ideas, aiming to develop a synthesis of material choice and concept while building their creative vocabulary. Not open to seniors. Studio Art Lab Fee Applied. |
|
SART 242A-1
Megan Mette
|
|
We will examine and interrogate the multiple roles that photography and related media |
|
SART 242B-1
Megan Mette
|
|
We will examine and interrogate the multiple roles that photography and related media |
|
SART 242C-1
Megan Mette
|
|
We will examine and interrogate the multiple roles that photography and related media |
|
SART 121-1
Aster Topolski; Megan Mette
|
|
This course introduces students to painting through both traditional and experimental approaches, allowing them to develop both observational skills and explore non-traditional media. Through projects and critiques, students enhance their understanding of historical and contemporary painting trends while creating mature visual works that effectively communicate meaning. Not open to seniors. Studio Art Lab Fee Applied. |
|
SART 141-2
; Megan Mette
|
|
This class introduces the basics of photography, focusing on its interpretive and hybrid nature. Students create images using techniques like photograms, collages, and digital processes. Alongside studio projects, students will explore alternative perspectives on the photographic frame and current issues in photography through readings and discussions. Not open to seniors. Studio Art lab fee applied. |
|
SART 190-1
Carolyn Gennari; Megan Mette
|
|
This course offers a broad framework for contemporary art practice, integrating conceptual challenges with a variety of materials and techniques. Projects may use both traditional and nontraditional media. This course emphasizes visual investigation, critique, and an expansive studio practice. Not open to seniors. Studio art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 232A-1
Annalisa Barron; Megan Mette
|
|
This class broadens the investigation undertaken in Introduction to Sculpture to include other materials and processes as well as a focus on working in an interdisciplinary fashion. This course furthers the development of the student's three-dimensional form vocabulary and their options for articulating their ideas. Permission of instructor required. Studio Art lab fee applied. |
|
SART 232B-1
Annalisa Barron; Megan Mette
|
|
This class broadens the investigation undertaken in Introduction to Sculpture to include other materials and processes as well as a focus on working in an interdisciplinary fashion. This course furthers the development of the student's three-dimensional form vocabulary and their options for articulating their ideas. Permission of instructor required. Studio Art lab fee applied |
|
SART 232C-1
Annalisa Barron; Megan Mette
|
|
This class broadens the investigation undertaken in Introduction to Sculpture to include other materials and processes as well as a focus on working in an interdisciplinary fashion. This course furthers the development of the student's three-dimensional form vocabulary and their options for articulating their ideas. Permission of instructor required. Studio Art lab fee applied. |
|
SART 397-1
Allen Topolski
|
|
This course is designed to support the transition between undergraduate coursework in the arts and independent, professional, and post-graduate pursuits. The course has three essential components: (1) Studio Production and Critique, (2) the Mechanics of the Profession, and (3) Contemporary Artists and Issues as they relate to Visual and Cultural Theory, Art History, and Art Criticism. By the end of the semester, students will have prepared an artist talk on their work through documentation, explanation, reference, and relevance in the context of contemporary art. This class is limited to and required of senior studio majors. Studio art fee applied. |
|
SART 399-1
Allen Topolski
|
|
Blank Description |
|
SART 154-1
Carolyn Gennari; Megan Mette
|
|
Since the invention of the Xerox machine, artists have used it to create experimental art, known as photocopy or xerox art, by treating it as both a camera and a printing press. In this course, students will explore this genre by creating imagery through manipulations like reducing, enlarging, and collage, culminating in a midterm fanzine and a self-proposed final artwork. Studio Art lab fee applied. Overlaps with DMST 116. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
SART 161-2
Pirooz Kalayeh
|
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $75. |