Studio Arts Courses—Fall
Check the course schedules/descriptions available via the Registrar's Office for the official schedules for the widest range of terms for which such information is available.
Fall 2024
| Number | Title | Instructor | Time |
|---|
|
SART 111-01
Joshua Enck
MW 4:50PM - 7:30PM
|
|
The coursework follows a sequence of studies that introduces basic drawing techniques, media, and composition through observation and analysis. Through a sequence of projects, students will have the opportunity to develop formal artistic skills and spatial relationships while enhancing their conceptual understanding of art as a visual language. Students will work from life and from the imagination to solve visual problems. Evaluation will primarily be based on the quantity and quality of studio production as well as the effort to thoughtfully contribute to critiques and discussions. Both traditional and non-traditional mediums and approaches will be explored. Relevant readings and short papers are to be expected. Not open to seniors. Studio art lab fee applied. If the course fills and you would like to be added to the wait list, please contact the instructor directly at jenck@ur.rochester.edu or go to https://www.sageart.center/resources.
|
|
SART 121-1
Emily Tyman
TR 2:00PM - 4:40PM
|
|
Designed to introduce students to the art of painting through a traditional and experimental approach. Through a sequence of projects, students will have the opportunity to practice observational painting skills as well as experiment with a variety of non-traditional media and innovative techniques. This course aims to enhance each students understanding of historical and contemporary painting trends through studio practice and classroom dialogue. Ultimately, students will work toward creating mature visual works that communicate meaning effectively. Your paintings, in addition to their many other functions, will serve as documentation of your artistic and intellectual pursuit. Formal and informal critiques will regularly follow the completion of most projects. Readings and short papers are to be expected. Not open to seniors. Studio art lab fee applied. If the course fills and you would like to be added to the wait list, please go to https://www.sageart.center/resources.
|
|
SART 131-01
Annalisa Barron
TR 9:40AM - 12:20PM
|
|
A wide range of materials and techniques from metal and welding to assemblage, from wood to experimental methods and media is explored in the service of three dimensional art making. Investigations of the specific qualities of three -dimensional media (i.e. space, form, scale, mass) and how they can convey ideas are made within a contemporary framework. Artworks synthesize a particular choice and use of materials and a concept or expression. It is the aim of this class to develop this synthesis, and in so doing, begin to develop the students' own working creative vocabulary. Not open to seniors. Studio Art lab fee applied. If the course fills and you would like to be added to the wait list, please go to https://www.sageart.center/resources.
|
|
SART 134-1
Allen Topolski; Stephen McAleavey
TR 2:00PM - 4:40PM
|
|
Artists and engineers both engage in the manipulation of matter for a purpose. How do artists and engineers approach this activity? What themes and principles are common to both, and what distinguishes these fields? Hands-on projects investigate both the conceptual and the material production of objects that address intersections of these two broadly based disciplines. Unit projects demonstrate competency in practical skills through the construction of objects that convey meaning and engage with function. This course will weave multiple teaching formats, incorporate peer-led collaborative processes, and involve multiple guests as well trips to Corning Museum of Glass and The Memorial Art Gallery. This course is intended for freshmen and sophomore majors and minors in art or engineering. Permission of Instructor(s) required.
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|
SART 141-1
Evelyne Leblanc-Roberge
TR 11:05AM - 1:45PM
|
|
This class is an introduction to the basic elements of photography, SLR and DSLR camera, darkroom techniques and alternative digital processes with an emphasis on photography as an interpretive and hybrid medium. The student will be asked to develop series of images using various photographic techniques and formats such as photograms (photography without a camera), collages and digital negatives printed on silver photographic paper. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction to their studio projects, students will be exposed to current issues in photography and related media through readings, screenings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. This course overlaps with DMST 112. Studio Art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
|
|
SART 141-5
Megan Mette
MW 2:00PM - 4:40PM
|
|
This class is an introduction to the basic elements of photography, SLR and DSLR camera, darkroom techniques and alternative digital processes with an emphasis on photography as an interpretive and hybrid medium. The student will be asked to develop series of images using various photographic techniques and formats such as photograms (photography without a camera), collages and digital negatives printed on silver photographic paper. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction to their studio projects, students will be exposed to current issues in photography and related media through readings, screenings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. This course overlaps with DMST 112. Studio Art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources.
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|
SART 151-1
Andrew Salomone
TR 4:50PM - 7:30PM
|
|
This course merges contemporary art production with technologies and social interventions. Students will combine historical, inter-media approaches with new, evolving trends in social practice. Studio assignments will use language, performance, programming, moving images, and more as tools and as media to construct creative-situations that prompt dialogue and critique. Special emphasis will be placed on introductory techniques that move beyond the studio and into collaborative, participatory, community-based productions. Not open to seniors. Studio Art lab supply fees apply. If the course fills and you would like to be added to the wait list, please go to https://www.sageart.center/resources.
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|
SART 161-1
Pirooz Kalayeh
MW 4:50PM - 7:30PM
|
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $75. To be added to the rolling waiting list contact Jason Middleton.
|
|
SART 179-1
Aaron Delehanty
T 11:05AM - 1:45PM
|
|
This class will consider the relationship of art exhibition and production in contemporary art practices as part of a gallery practicum. This course is an introduction to art exhibition practices including research, curation, planning, art handling, installation, and hands-on experience in galleries. Students will install exhibitions in the teaching galleries and spaces on campus, including (but not limited to) Hartnett Gallery and Frontispace Gallery. Students will visit galleries and museums and attend exhibition openings, studio visits, and artist lectures. This course is geared toward those with career interests in arts administration and curation so Art and Art History majors/minors and those having previous coursework in those areas is preferred but not required. Studio Art lab fee applied. Instructor permission is required for this course. Use the “Request Course Section Prerequisite Override” task found on your academics dashboard under the Planning & Registration section to request this permission.
|
|
SART 182-01
Aster Topolski
MW 2:00PM - 4:40PM
|
|
Printmaking is a non-digital, non-photographic manner of visual communication which emphasizes re-production. This course will introduce procedures and techniques for creating multiple works on paper. Suites of prints will be made from linoleum cuts, woodcuts, drypoint etchings, monotypes and mono-prints. Drawing is key in the development of the reductive, visual language required in printmaking. Exercises which focus on print-based drawing skills will be assigned throughout. Not open to Seniors. Studio Art lab supply fees apply. If the course fills and you would like to be added to the wait list, please go to https://www.sageart.center/resources.
|
|
SART 190-01
Carolyn Gennari
MW 2:00PM - 4:40PM
|
|
Intro to Studio Practice provides a broad framework for contemporary art making through creative production, discussion, presentation, and critique. Scheduled class time will be a combination of lecture, technical demonstration and studio/work time. Rather than focusing on a single medium such as drawing, this course gives students the opportunity to try out a broad range of art approaches and media which, depending upon the instructor, might include a combination of drawing, printmaking, sculpture, performance, sound art, conceptual art, and/or media that are not traditionally used for making art. Practice and critique, readings and discussion combine to place emphasis on the visual investigation necessary to create educated and challenging art. Not open to seniors. Studio art lab supply fee applied.
|
|
SART 209-1
Nader Sayadi
TR 9:40AM - 10:55AM
|
|
This course seeks to improve students' writing and analytical skills through analysis and experimentation with different styles of writing about contemporary and historical arts. Students analyze prose by artists, historians, cultural critics, poets, and others who have written on the visual arts, with an eye towards how writing on art can be a tool for improving expression in many areas. Slide lectures, discussions, and writing projects on objects of diverse media and historical eras will be augmented by visiting speakers and field trips to museums and galleries. This course fulfills one-half of the upper level writing requirement for both studio and art history majors. Permission of instructor required.
|
|
SART 222A-1
Emily Tyman
TR 9:40AM - 12:20PM
|
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art lab supply fee applied.
|
|
SART 222B-1
Emily Tyman
TR 9:40AM - 12:20PM
|
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art lab supply fee applied.
|
|
SART 222C-1
Emily Tyman
TR 9:40AM - 12:20PM
|
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art lab supply fee applied.
|
|
SART 243A-1
Evelyne Leblanc-Roberge; Missy Smith
TR 2:00PM - 4:40PM
|
|
Students will create and perform multi-media site-specific choreography and installations that will be captured and re-mixed. Geared for students of dance, film and photography, this course will explore creative collaboration, composition, lens based art and post-production. Students will be encouraged to curiously and playfully embody manipulations of movement material and play with technology to better understand different points of view and to explore the elements of site, space, shape, time and effort to see how they affect quality and content. Students will gain hands-on experience with digital photo and video equipment and editing software, and will serves roles both in front of and behind the camera. Studio Art lab fee applied.
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|
SART 243B-1
Evelyne Leblanc-Roberge; Missy Smith
TR 2:00PM - 4:40PM
|
|
Students will create and perform multi-media site-specific choreography and installations that will be captured and re-mixed. Geared for students of dance, film and photography, this course will explore creative collaboration, composition, lens based art and post-production. Students will be encouraged to curiously and playfully embody manipulations of movement material and play with technology to better understand different points of view and to explore the elements of site, space, shape, time and effort to see how they affect quality and content. Students will gain hands-on experience with digital photo and video equipment and editing software, and will serves roles both in front of and behind the camera. Studio Art lab fee applied.
|
|
SART 243C-1
Evelyne Leblanc-Roberge; Missy Smith
TR 2:00PM - 4:40PM
|
|
Students will create and perform multi-media site-specific choreography and installations that will be captured and re-mixed. Geared for students of dance, film and photography, this course will explore creative collaboration, composition, lens based art and post-production. Students will be encouraged to curiously and playfully embody manipulations of movement material and play with technology to better understand different points of view and to explore the elements of site, space, shape, time and effort to see how they affect quality and content. Students will gain hands-on experience with digital photo and video equipment and editing software, and will serves roles both in front of and behind the camera. Studio Art lab fee applied.
|
|
SART 266A-1
Clara Riedlinger
MW 2:00PM - 4:40PM
|
|
This course explores video art processes with an emphasis on contemporary practice, emerging trends, and digital technologies. Students will consider time-based digital objects and sound from artistic perspectives that question and interrupt conventional narrative forms while embracing experimental techniques. Original projects may involve installation, single channel, sound, and networked environments. Works will be examined within a critical framework of readings, critiques, and viewings. Studio Art lab fee applied.
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|
SART 266B-1
Clara Riedlinger
MW 2:00PM - 4:40PM
|
|
This course explores video art processes with an emphasis on contemporary practice, emerging trends, and digital technologies. Students will consider time-based digital objects and sound from artistic perspectives that question and interrupt conventional narrative forms while embracing experimental techniques. Original projects may involve installation, single channel, sound, and networked environments. Works will be examined within a critical framework of readings, critiques, and viewings. Studio Art lab fee applied.
|
|
SART 266C-1
Clara Riedlinger
MW 2:00PM - 4:40PM
|
|
This course explores video art processes with an emphasis on contemporary practice, emerging trends, and digital technologies. Students will consider time-based digital objects and sound from artistic perspectives that question and interrupt conventional narrative forms while embracing experimental techniques. Original projects may involve installation, single channel, sound, and networked environments. Works will be examined within a critical framework of readings, critiques, and viewings. Studio Art lab fee applied.
|
|
SART 272A-1
Aster Topolski
MW 10:25AM - 1:05PM
|
|
This advanced level course provides a broad framework for drawing and collage and areas of art production adjacent to it. The exploration, experimentation and application of two-dimensional materials and images – found, appropriated, and drawn - will help lead to a mature level of studio production. Every step toward the resolution of a work should be seen as an opportunity to question its direction, process, medium, and meaning. All completed projects will employ both formal considerations as well as thoughtful content and all are intended for an audience. Practice and critique, readings and discussion combine to place emphasis on the visual investigation necessary to create and engage with informed and challenging art. Studio art lab supply fee applied. Permission of instructor. Prerequisite of SART 111, 181, 182 or 190
|
|
SART 272B-1
Aster Topolski
MW 10:25AM - 1:05PM
|
|
This advanced level course provides a broad framework for drawing and collage and areas of art production adjacent to it. The exploration, experimentation and application of two-dimensional materials and images – found, appropriated, and drawn - will help lead to a mature level of studio production. Every step toward the resolution of a work should be seen as an opportunity to question its direction, process, medium, and meaning. All completed projects will employ both formal considerations as well as thoughtful content and all are intended for an audience. Practice and critique, readings and discussion combine to place emphasis on the visual investigation necessary to create and engage with informed and challenging art. Studio art lab supply fee applied. Permission of instructor. Prerequisite of SART 111, 181, 182 or 190
|
|
SART 272C-1
Aster Topolski
MW 10:25AM - 1:05PM
|
|
This advanced level course provides a broad framework for drawing and collage and areas of art production adjacent to it. The exploration, experimentation and application of two-dimensional materials and images – found, appropriated, and drawn - will help lead to a mature level of studio production. Every step toward the resolution of a work should be seen as an opportunity to question its direction, process, medium, and meaning. All completed projects will employ both formal considerations as well as thoughtful content and all are intended for an audience. Practice and critique, readings and discussion combine to place emphasis on the visual investigation necessary to create and engage with informed and challenging art. Studio art lab supply fee applied. Permission of instructor. Prerequisite of SART 111, 181, 182 or 190
|
|
SART 282A-1
Mijin Shin
TR 4:50PM - 7:30PM
|
|
This course focuses on studying printmaking techniques by not only using traditional approaches but also experimenting with emerging print practices that require relatively less specialized equipment. Through completing projects, students will be working towards finding practices that contribute to the sustainability of materials and improved access to printmaking outside specialized studios. There will be several reading discussions covering contemporary perspectives in the field of printmaking. In addition to working on printmaking techniques, students are challenged to develop craftsmanship and artwork presentation skills. Permission of instructor required. Studio Art lab fee applied.
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|
SART 282B-1
Mijin Shin
TR 4:50PM - 7:30PM
|
|
This course focuses on studying printmaking techniques by not only using traditional approaches but also experimenting with emerging print practices that require relatively less specialized equipment. Through completing projects, students will be working towards finding practices that contribute to the sustainability of materials and improved access to printmaking outside specialized studios. There will be several reading discussions covering contemporary perspectives in the field of printmaking. In addition to working on printmaking techniques, students are challenged to develop craftsmanship and artwork presentation skills. Permission of instructor required. Studio Art lab fee applied.
|
|
SART 282C-1
Mijin Shin
TR 4:50PM - 7:30PM
|
|
This course focuses on studying printmaking techniques by not only using traditional approaches but also experimenting with emerging print practices that require relatively less specialized equipment. Through completing projects, students will be working towards finding practices that contribute to the sustainability of materials and improved access to printmaking outside specialized studios. There will be several reading discussions covering contemporary perspectives in the field of printmaking. In addition to working on printmaking techniques, students are challenged to develop craftsmanship and artwork presentation skills. Permission of instructor required. Studio Art lab fee applied.
|
|
SART 390-1
Aster Topolski
7:00PM - 7:00PM
|
|
Blank Description
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SART 390-2
Allen Topolski
7:00PM - 7:00PM
|
|
No description
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SART 390-3
Mijin Shin
7:00PM - 7:00PM
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|
No description
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SART 391-1
Allen Topolski
7:00PM - 7:00PM
|
|
Individual studio work at an advanced level and under the guidance of a member of the studio arts faculty. Registration for Independent Study courses needs to be completed thru the instructions for online independent study registration.
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SART 393-1
Allen Topolski
7:00PM - 7:00PM
|
|
See Requirements for Honors in Studio Art.
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SART 394-1
–
7:00PM - 7:00PM
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Registration for Independent Study courses needs to be completed thru the instructions for online independent study registration.
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SART 395-1
–
7:00PM - 7:00PM
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Registration for Independent Study courses needs to be completed thru the instructions for online independent study registration.
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SART 396-1
Mijin Shin
TR 2:00PM - 4:40PM
|
|
This is the first of a two-semester senior capstone course designed to support the transition between undergraduate coursework and independent, professional, and graduate pursuits. It is a core requirement of the studio art degree. The fall semester of this series has two major components: (1) Studio Production/Critique and (2) Professional Development. For the studio production/critique component, students will maintain a rigorous, self-motivated studio practice, regularly participate in critical discussions and critiques and develop artist statements. Emphasis is placed upon a shift to independent project design. For the professional development component, students will create personal websites, develop resumes, apply for professional exhibitions, prepare high quality documentation of their art, and gain exposure to critical career resources. The fall semester will culminate in a group exhibition and public artist talks by students. Studio Art lab fee applied. This course is only open to senior Studio Art majors. Permission of instructor required.
|
Fall 2024
| Number | Title | Instructor | Time |
|---|---|
| Monday and Wednesday | |
|
SART 272A-1
Aster Topolski
|
|
|
This advanced level course provides a broad framework for drawing and collage and areas of art production adjacent to it. The exploration, experimentation and application of two-dimensional materials and images – found, appropriated, and drawn - will help lead to a mature level of studio production. Every step toward the resolution of a work should be seen as an opportunity to question its direction, process, medium, and meaning. All completed projects will employ both formal considerations as well as thoughtful content and all are intended for an audience. Practice and critique, readings and discussion combine to place emphasis on the visual investigation necessary to create and engage with informed and challenging art. Studio art lab supply fee applied. Permission of instructor. Prerequisite of SART 111, 181, 182 or 190 |
|
|
SART 272B-1
Aster Topolski
|
|
|
This advanced level course provides a broad framework for drawing and collage and areas of art production adjacent to it. The exploration, experimentation and application of two-dimensional materials and images – found, appropriated, and drawn - will help lead to a mature level of studio production. Every step toward the resolution of a work should be seen as an opportunity to question its direction, process, medium, and meaning. All completed projects will employ both formal considerations as well as thoughtful content and all are intended for an audience. Practice and critique, readings and discussion combine to place emphasis on the visual investigation necessary to create and engage with informed and challenging art. Studio art lab supply fee applied. Permission of instructor. Prerequisite of SART 111, 181, 182 or 190 |
|
|
SART 272C-1
Aster Topolski
|
|
|
This advanced level course provides a broad framework for drawing and collage and areas of art production adjacent to it. The exploration, experimentation and application of two-dimensional materials and images – found, appropriated, and drawn - will help lead to a mature level of studio production. Every step toward the resolution of a work should be seen as an opportunity to question its direction, process, medium, and meaning. All completed projects will employ both formal considerations as well as thoughtful content and all are intended for an audience. Practice and critique, readings and discussion combine to place emphasis on the visual investigation necessary to create and engage with informed and challenging art. Studio art lab supply fee applied. Permission of instructor. Prerequisite of SART 111, 181, 182 or 190 |
|
|
SART 141-5
Megan Mette
|
|
|
This class is an introduction to the basic elements of photography, SLR and DSLR camera, darkroom techniques and alternative digital processes with an emphasis on photography as an interpretive and hybrid medium. The student will be asked to develop series of images using various photographic techniques and formats such as photograms (photography without a camera), collages and digital negatives printed on silver photographic paper. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction to their studio projects, students will be exposed to current issues in photography and related media through readings, screenings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. This course overlaps with DMST 112. Studio Art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
|
|
SART 182-01
Aster Topolski
|
|
|
Printmaking is a non-digital, non-photographic manner of visual communication which emphasizes re-production. This course will introduce procedures and techniques for creating multiple works on paper. Suites of prints will be made from linoleum cuts, woodcuts, drypoint etchings, monotypes and mono-prints. Drawing is key in the development of the reductive, visual language required in printmaking. Exercises which focus on print-based drawing skills will be assigned throughout. Not open to Seniors. Studio Art lab supply fees apply. If the course fills and you would like to be added to the wait list, please go to https://www.sageart.center/resources. |
|
|
SART 190-01
Carolyn Gennari
|
|
|
Intro to Studio Practice provides a broad framework for contemporary art making through creative production, discussion, presentation, and critique. Scheduled class time will be a combination of lecture, technical demonstration and studio/work time. Rather than focusing on a single medium such as drawing, this course gives students the opportunity to try out a broad range of art approaches and media which, depending upon the instructor, might include a combination of drawing, printmaking, sculpture, performance, sound art, conceptual art, and/or media that are not traditionally used for making art. Practice and critique, readings and discussion combine to place emphasis on the visual investigation necessary to create educated and challenging art. Not open to seniors. Studio art lab supply fee applied. |
|
|
SART 266A-1
Clara Riedlinger
|
|
|
This course explores video art processes with an emphasis on contemporary practice, emerging trends, and digital technologies. Students will consider time-based digital objects and sound from artistic perspectives that question and interrupt conventional narrative forms while embracing experimental techniques. Original projects may involve installation, single channel, sound, and networked environments. Works will be examined within a critical framework of readings, critiques, and viewings. Studio Art lab fee applied. |
|
|
SART 266B-1
Clara Riedlinger
|
|
|
This course explores video art processes with an emphasis on contemporary practice, emerging trends, and digital technologies. Students will consider time-based digital objects and sound from artistic perspectives that question and interrupt conventional narrative forms while embracing experimental techniques. Original projects may involve installation, single channel, sound, and networked environments. Works will be examined within a critical framework of readings, critiques, and viewings. Studio Art lab fee applied. |
|
|
SART 266C-1
Clara Riedlinger
|
|
|
This course explores video art processes with an emphasis on contemporary practice, emerging trends, and digital technologies. Students will consider time-based digital objects and sound from artistic perspectives that question and interrupt conventional narrative forms while embracing experimental techniques. Original projects may involve installation, single channel, sound, and networked environments. Works will be examined within a critical framework of readings, critiques, and viewings. Studio Art lab fee applied. |
|
|
SART 111-01
Joshua Enck
|
|
|
The coursework follows a sequence of studies that introduces basic drawing techniques, media, and composition through observation and analysis. Through a sequence of projects, students will have the opportunity to develop formal artistic skills and spatial relationships while enhancing their conceptual understanding of art as a visual language. Students will work from life and from the imagination to solve visual problems. Evaluation will primarily be based on the quantity and quality of studio production as well as the effort to thoughtfully contribute to critiques and discussions. Both traditional and non-traditional mediums and approaches will be explored. Relevant readings and short papers are to be expected. Not open to seniors. Studio art lab fee applied. If the course fills and you would like to be added to the wait list, please contact the instructor directly at jenck@ur.rochester.edu or go to https://www.sageart.center/resources. |
|
|
SART 161-1
Pirooz Kalayeh
|
|
|
This course introduces the basic aesthetic and technical elements of video production. Emphasis is on the creative use and understanding of the video medium while learning to use the video camera, video editing processes and the fundamental procedures of planning video projects. Strategies for the use of video as an art-making tool will be explored. Works by artists and directors critically exploring media of film and video will be viewed and discussed. Video techniques will be studied through screenings, group discussions, readings, practice sessions and presentations of original video projects made during the course. Sophomores and Juniors with officially declared FMS and SA majors are given priority registration; followed by sophomores and juniors with officially declared FMS and SA minors. Studio arts supplies fee: $75. To be added to the rolling waiting list contact Jason Middleton. |
|
| Tuesday | |
|
SART 179-1
Aaron Delehanty
|
|
|
This class will consider the relationship of art exhibition and production in contemporary art practices as part of a gallery practicum. This course is an introduction to art exhibition practices including research, curation, planning, art handling, installation, and hands-on experience in galleries. Students will install exhibitions in the teaching galleries and spaces on campus, including (but not limited to) Hartnett Gallery and Frontispace Gallery. Students will visit galleries and museums and attend exhibition openings, studio visits, and artist lectures. This course is geared toward those with career interests in arts administration and curation so Art and Art History majors/minors and those having previous coursework in those areas is preferred but not required. Studio Art lab fee applied. Instructor permission is required for this course. Use the “Request Course Section Prerequisite Override” task found on your academics dashboard under the Planning & Registration section to request this permission. |
|
| Tuesday and Thursday | |
|
SART 131-01
Annalisa Barron
|
|
|
A wide range of materials and techniques from metal and welding to assemblage, from wood to experimental methods and media is explored in the service of three dimensional art making. Investigations of the specific qualities of three -dimensional media (i.e. space, form, scale, mass) and how they can convey ideas are made within a contemporary framework. Artworks synthesize a particular choice and use of materials and a concept or expression. It is the aim of this class to develop this synthesis, and in so doing, begin to develop the students' own working creative vocabulary. Not open to seniors. Studio Art lab fee applied. If the course fills and you would like to be added to the wait list, please go to https://www.sageart.center/resources. |
|
|
SART 209-1
Nader Sayadi
|
|
|
This course seeks to improve students' writing and analytical skills through analysis and experimentation with different styles of writing about contemporary and historical arts. Students analyze prose by artists, historians, cultural critics, poets, and others who have written on the visual arts, with an eye towards how writing on art can be a tool for improving expression in many areas. Slide lectures, discussions, and writing projects on objects of diverse media and historical eras will be augmented by visiting speakers and field trips to museums and galleries. This course fulfills one-half of the upper level writing requirement for both studio and art history majors. Permission of instructor required. |
|
|
SART 222A-1
Emily Tyman
|
|
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art lab supply fee applied. |
|
|
SART 222B-1
Emily Tyman
|
|
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art lab supply fee applied. |
|
|
SART 222C-1
Emily Tyman
|
|
|
The evolving continuation of painting with serious emphasis on independent proposals, research and production. The broadest examination of painting and related media is expected. Group discussion and individual meetings are on a weekly basis. Permission of instructor only. Studio art lab supply fee applied. |
|
|
SART 141-1
Evelyne Leblanc-Roberge
|
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This class is an introduction to the basic elements of photography, SLR and DSLR camera, darkroom techniques and alternative digital processes with an emphasis on photography as an interpretive and hybrid medium. The student will be asked to develop series of images using various photographic techniques and formats such as photograms (photography without a camera), collages and digital negatives printed on silver photographic paper. The class will explore alternative modes of thinking about the photographic frame and ways of presenting images. In conjunction to their studio projects, students will be exposed to current issues in photography and related media through readings, screenings and group discussions. No prior experience in photography is needed to successfully complete this class. Not open to seniors. This course overlaps with DMST 112. Studio Art lab fee applied. If the course fills and you would like to be added to the waitlist, fill out the form found at this link: https://www.sageart.center/resources. |
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SART 121-1
Emily Tyman
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Designed to introduce students to the art of painting through a traditional and experimental approach. Through a sequence of projects, students will have the opportunity to practice observational painting skills as well as experiment with a variety of non-traditional media and innovative techniques. This course aims to enhance each students understanding of historical and contemporary painting trends through studio practice and classroom dialogue. Ultimately, students will work toward creating mature visual works that communicate meaning effectively. Your paintings, in addition to their many other functions, will serve as documentation of your artistic and intellectual pursuit. Formal and informal critiques will regularly follow the completion of most projects. Readings and short papers are to be expected. Not open to seniors. Studio art lab fee applied. If the course fills and you would like to be added to the wait list, please go to https://www.sageart.center/resources. |
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SART 134-1
Allen Topolski; Stephen McAleavey
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Artists and engineers both engage in the manipulation of matter for a purpose. How do artists and engineers approach this activity? What themes and principles are common to both, and what distinguishes these fields? Hands-on projects investigate both the conceptual and the material production of objects that address intersections of these two broadly based disciplines. Unit projects demonstrate competency in practical skills through the construction of objects that convey meaning and engage with function. This course will weave multiple teaching formats, incorporate peer-led collaborative processes, and involve multiple guests as well trips to Corning Museum of Glass and The Memorial Art Gallery. This course is intended for freshmen and sophomore majors and minors in art or engineering. Permission of Instructor(s) required. |
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SART 243A-1
Evelyne Leblanc-Roberge; Missy Smith
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Students will create and perform multi-media site-specific choreography and installations that will be captured and re-mixed. Geared for students of dance, film and photography, this course will explore creative collaboration, composition, lens based art and post-production. Students will be encouraged to curiously and playfully embody manipulations of movement material and play with technology to better understand different points of view and to explore the elements of site, space, shape, time and effort to see how they affect quality and content. Students will gain hands-on experience with digital photo and video equipment and editing software, and will serves roles both in front of and behind the camera. Studio Art lab fee applied. |
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SART 243B-1
Evelyne Leblanc-Roberge; Missy Smith
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Students will create and perform multi-media site-specific choreography and installations that will be captured and re-mixed. Geared for students of dance, film and photography, this course will explore creative collaboration, composition, lens based art and post-production. Students will be encouraged to curiously and playfully embody manipulations of movement material and play with technology to better understand different points of view and to explore the elements of site, space, shape, time and effort to see how they affect quality and content. Students will gain hands-on experience with digital photo and video equipment and editing software, and will serves roles both in front of and behind the camera. Studio Art lab fee applied. |
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SART 243C-1
Evelyne Leblanc-Roberge; Missy Smith
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Students will create and perform multi-media site-specific choreography and installations that will be captured and re-mixed. Geared for students of dance, film and photography, this course will explore creative collaboration, composition, lens based art and post-production. Students will be encouraged to curiously and playfully embody manipulations of movement material and play with technology to better understand different points of view and to explore the elements of site, space, shape, time and effort to see how they affect quality and content. Students will gain hands-on experience with digital photo and video equipment and editing software, and will serves roles both in front of and behind the camera. Studio Art lab fee applied. |
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SART 396-1
Mijin Shin
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This is the first of a two-semester senior capstone course designed to support the transition between undergraduate coursework and independent, professional, and graduate pursuits. It is a core requirement of the studio art degree. The fall semester of this series has two major components: (1) Studio Production/Critique and (2) Professional Development. For the studio production/critique component, students will maintain a rigorous, self-motivated studio practice, regularly participate in critical discussions and critiques and develop artist statements. Emphasis is placed upon a shift to independent project design. For the professional development component, students will create personal websites, develop resumes, apply for professional exhibitions, prepare high quality documentation of their art, and gain exposure to critical career resources. The fall semester will culminate in a group exhibition and public artist talks by students. Studio Art lab fee applied. This course is only open to senior Studio Art majors. Permission of instructor required. |
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SART 151-1
Andrew Salomone
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This course merges contemporary art production with technologies and social interventions. Students will combine historical, inter-media approaches with new, evolving trends in social practice. Studio assignments will use language, performance, programming, moving images, and more as tools and as media to construct creative-situations that prompt dialogue and critique. Special emphasis will be placed on introductory techniques that move beyond the studio and into collaborative, participatory, community-based productions. Not open to seniors. Studio Art lab supply fees apply. If the course fills and you would like to be added to the wait list, please go to https://www.sageart.center/resources. |
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SART 282A-1
Mijin Shin
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This course focuses on studying printmaking techniques by not only using traditional approaches but also experimenting with emerging print practices that require relatively less specialized equipment. Through completing projects, students will be working towards finding practices that contribute to the sustainability of materials and improved access to printmaking outside specialized studios. There will be several reading discussions covering contemporary perspectives in the field of printmaking. In addition to working on printmaking techniques, students are challenged to develop craftsmanship and artwork presentation skills. Permission of instructor required. Studio Art lab fee applied. |
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SART 282B-1
Mijin Shin
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This course focuses on studying printmaking techniques by not only using traditional approaches but also experimenting with emerging print practices that require relatively less specialized equipment. Through completing projects, students will be working towards finding practices that contribute to the sustainability of materials and improved access to printmaking outside specialized studios. There will be several reading discussions covering contemporary perspectives in the field of printmaking. In addition to working on printmaking techniques, students are challenged to develop craftsmanship and artwork presentation skills. Permission of instructor required. Studio Art lab fee applied. |
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SART 282C-1
Mijin Shin
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This course focuses on studying printmaking techniques by not only using traditional approaches but also experimenting with emerging print practices that require relatively less specialized equipment. Through completing projects, students will be working towards finding practices that contribute to the sustainability of materials and improved access to printmaking outside specialized studios. There will be several reading discussions covering contemporary perspectives in the field of printmaking. In addition to working on printmaking techniques, students are challenged to develop craftsmanship and artwork presentation skills. Permission of instructor required. Studio Art lab fee applied. |
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