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The Program in Visual and Cultural Studies (VCS) is an interdisciplinary program that was developed as a collaboration across departments. VCS’s core faculty are situated in anthropology, art and art history, Black studies, English, and modern languages and cultures. Our vibrant intellectual community also includes affiliate faculty from these and other departments and programs, including gender, sexuality, and women’s studies, history, and the Eastman School of Music.
The focus of the Program is on the critical and social-historical analysis of visual objects. Through interdisciplinary coursework and individual research, students develop critical skills to equip them to engage in the analysis of visual images, ranging from more traditional art historical approaches (including formalist and social-art historical approaches) to those developed by literary and film studies (semiotics, psychoanalytic criticism, narratology), and other historical approaches (including those using digital tools and ethnographic methods), which can produce wider perspectives in the study of visual culture. Central to this work are feminist, queer, and postcolonial theories, alongside the interdisciplinary study of race.
In the News
Anna Rosensweig receives President’s Ferrari Humanities Research Award
Anna Rosensweig, an associate professor of French and the director of the Graduate Program in Visual and Cultural Studies, has been named the latest recipient of the President's Ferrari Humanities Research Award.
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InVisible Culture: A Journal for Visual Culture (IVC) is a student run interdisciplinary journal published online twice a year in an open access format. Through double blind peer reviewed articles, creative works, and reviews of books, films, and exhibitions, our issues explore changing themes in visual culture. Fostering a global and current dialogue across fields, IVC investigates the power and limits of vision.
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Dr. Janet Berlo Retires
For 23 glorious years, Janet Berlo has been at the heart of Visual and Cultural Studies (VCS). She first joined the University of Rochester as the Susan B. Anthony Professor of Gender Studies and Professor of Art History in 1997, having received her PhD from Yale in 1980.
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